Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Francis Swaine
A royal yacht and small naval ship in a calm

ID: 44764

Francis Swaine A royal yacht and small naval ship in a calm
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Francis Swaine A royal yacht and small naval ship in a calm


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Francis Swaine

1720-1783,English painter and draughtsman. He worked as a messenger for a department of His Majesty's Navy in 1735 and seems to have been practising as a marine painter by the late 1740s, but there is little trace of his place in London's art world until his regular contributions from 1761 to the exhibitions of both the Free and Incorporated Societies of Artists. He was awarded the Society for the Encouragement of Arts' second prize for sea-pieces in 1764 and again in 1765. 'About the year 1770', reported Edwards, 'he painted the face of a wind-dial, with sea and ships, which he executed with a great neatness'   Related Paintings of Francis Swaine :. | Small craft at sea in a stiff breeze | A royal yacht and small naval ship in a calm | An English two-deker and a Dutch barge at anchor off a coastal fort | A large two-decker and a cutter off Dover | A wooded river landscape in Hoolland with a Dutch hooder under sail in a brisk wind |
Related Artists:
Josephus Laurentius Dyckmans
painted The Blind Beggar in 1853
Pierre Montallier
(c. 1643 - 15 October 1697) was a French painter.[1] He died in Paris.
Giovanni Domenico Ferretti
1692-1768 Italian Giovanni Domenico Ferretti Location Italian painter. He was the son of the goldsmith Antonio di Giovanni da Imola and Margherita di Domenico Gori. His mother family, which included her brother, the antiquarian ANTONIO FRANCESCO GORI, was extremely influential in Florence and proved very important for Ferretti. In the first years of his life he lived in Imola, where he was sent to study (1708) with the local painter Francesco Chiusuri. After the family moved to Florence, Ferretti was taught there by Tommaso Redi and Sebastiano Galeotti. Later he spent five years in Bologna, an important centre for the practice and teaching of academic painting, where, in the workshop of Felice Torelli, his work acquired its characteristic style.






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